| EPUK Weekly News |
Once a week we put together a roundup of the week's photography, media and copyright news. It's free and you don't have to meet the usual EPUK membership criteria to sign up. We don't give your details to anyone else, and you can unsubscribe anytime.
| This week EPUK discussed ... |
The Digital Economy Bill, what to charge for limited edition prints, the Retna takeover, what to quote for use on a book cover, and … who’s going to FOCUS?
The above advertisers have not been endorsed by EPUK.
| Headlines | News | First Person | Opinion | Resources | The Curve | Showcase | Masterclass | WTD | Sqweegee's blog | |
About | Join
| Help
| Shop
| Lost And Stolen
| Discounts
|
Support EPUK
|
Advertise on EPUK
| RSS
| Atom
|
|
Rumble in the Jungle: A Congo JourneyWhat started as a chance call at the Magnum offices ended with being arrested at gunpoint and thrown into prison in Kinshasa. Story and photographs by EPUK member Stuart Griffiths. Author portrait by Amanda Jobson. |
|||||
|
|
||||||
|
17 August 2006
|
Back in 1998, when I was 26 years old and an intern at Magnum Photos in London, an independent documentary filmmaker called the Magnum office. I just so happened to take the call. He was interested in making a short film on an up and coming conflict photographer, someone who was young and new to the game. I was intrigued, so I decided to meet up with him. He was impressed with the work in my portfolio and we talked about possible destinations. That night I watched a television documentary on Congo Brazzaville. The place had been ravaged by war and the local militias were filmed wearing Ray-Ban sunglasses, whilst carrying AK47 assault rifles. But underneath this bizarre exterior, lurked a kind of internal insanity. It seemed a very terrifying place to be. I remembered how fascinated I was by the book Heart of Darkness by Joseph Conrad, back in my days as an art student. I started researching Congo and found little in terms of new and recent photographic work. I suggested the idea with the documentary filmmaker and he found the idea very interesting. I therefore began to research the idea even more and talked to a Magnum photographer in the London office who had much experience in Africa. He suggested that I develop on the idea and advised me to understand totally which side I was on and whom I was working with. I wrote proposals to camera film companies, who were happy to send me bulk loads of film. I contacted the British Red Cross, who was happy that I document one of the programs in Brazzaville. All was looking very hopeful and I booked my ticket with the money I had made from selling some photographs to the Imperial War Museum’s archive. I even organised my open visas from the Congo Brazzaville embassy and a visa from the Democratic Republic of Congo embassy, as my contacts for the Red Cross were based in Kinshasa. Early nervesLater that day, the documentary filmmaker filmed me on the rooftop of the Magnum office. I was very hopeful and felt very positive that I had organised the trip and it was happening. That evening the filmmaker came to my bed-sit and took me out for a drink. He explained that the television channel he was pitching the idea to was not happy about a month long trip and suggested that I make it shorter. When I tried calling him days later, my calls were not answered and when I finally did make contact with him, he was not interested in the idea of coming out with me, but keen to see my results on return. A week before my flight to Kinshasa, news started to break that civil war had begun in the Democratic Republic of Congo, between the government in Kinshasa and rebels from the east. My contact from the British Red Cross in London warned me not to go. I paced up and down wondering what I should do. Back then I was a fairly inexperienced photographer, but at the same time I wanted to make a name for myself. I also felt that I would not get the refund on my flight ticket, which cost me nearly a grand. I had also begun taking Larium anti malaria drugs two weeks previous. As I walked off the plane all around were Congolese troops eyeballing me. It was like being in a dream; everything all seemed to be in slow motion. When I collected my luggage, strangers crowded around me, pulling my clothes and I was searched four times. A large woman beckoned me over who probably sensed my fear. I had an address for the Diplomat Hotel and was guided out of the airport to an awaiting taxi driver. A long way from England“Hello my friend my name is Mr John” said the man with a beaming smile as he stood proudly by his taxi, which was a lime green bullet-ridden Nissan. He took me for a guided tour of Kinshasa, passing the famous stadium where Mohammed Ali and George Foreman had the ‘Rumble in the Jungle’ boxing bout. I shot photographs through the shattered windscreen as I watched the many people all hanging around the roads that all seemed to stare at me, while I realised just how far from England I now was.
|
|||||
|
||||||
|
||||||
|
|
||||||
|
Comments on this article:
Great article!! I have some idea of how you must have felt, as I was working in Kinshasa in August 1998. However, I was lucky enough to get out on the last Sabina Airlines flight. The experience definitely helps you appreciate how lucky we are to grow up in western society. I often wonder how my former colleagues are doing? Comment #3 posted by John Wilkinson at 30 November, 03:25 AM Add your comments here:
|
||||||
| Headlines | News | First Person | Opinion | Resources | The Curve | Showcase | Masterclass | WTD | Sqweegee's blog | |
About | Join
| Help
| Shop
| Lost And Stolen
| Discounts
|
Support EPUK
|
Advertise on EPUK
| RSS
| Atom
|
| Site design and CMS integration © Scotland photographer Nick McGowan-Lowe. Site content is © original authors. To reproduce any content on this website, contact editor@epuk.org who will put you in touch with the copyright holder. You can read our privacy policy here. Any advice given on this site is not intended to replace professional advice, and EPUK and its authors accept no liability for loss or damage arising from any errors or omissions. EPUK is not responsible for third party content, such as epuk.org adverts, other websites linked to from epuk.org, or comments added to articles by visitors. |
|
|
Its impressive to see that there are still some photojournalists out there who have the courage to bring what is really happening back for us to read and see.
Comment #1 posted by Alex Hardman at 24 August, 01:43 PM