EPUK Editorial Photographers United Kingdom and Ireland. The private mailing list and public resource for editorial photographers

Why the NUJ election is an opportunity for photographers to show their strength

26 May 2008 - Nick McGowan-Lowe

The election to become the NUJ’s next Deputy General Secretary offers photographers a unique chance to use their voice and to show their strength, argues EPUK website editor Nick McGowan-Lowe

A few years ago, I was sent to photograph a prospective MP as he knocked doors on a housing estate in central Scotland. Two hours in, with instructions from my picture desk not to come back until I had enough to cover a double page spread, we turned a corner, and came across a friendly but stray dog on the pavement. Could we do a shot with him stroking the dog ? “No”, he said. I asked him to elaborate. “Dogs don’t vote”, he said.

And in an instant, I understood what he meant: a picture of him with a dog in the paper would mean one less picture of him with a real voter. And that voter’s family, friends, neighbours and colleagues would see that photograph and feel a connection, and be more likely to vote. Dogs wouldn’t.

This week, the NUJ will begin one of the most important elections in recent years. And in looking through the campaign materials of the three of the candidates, I’m struck by how all but one of the candidates have chosen not to try and attract the vote of photographer members, whereas they are deliberately courting other sectors of the union.

It isn’t because they’ve forgotten that photographers exist. And it’s not just because only one in 17 NUJ members is a photographer. These candidates are chasing every vote in what is expected to be a close contest. It’s because the received wisdom within the NUJ hierarchy is that photographers may moan, but they don’t vote. They may complain, but they don’t seek change. Somehow we’ve become the dog that no-one wants to stroke.

Difficult time

The election comes at a difficult time. The NUJ’s credibility is still recovering from two public relations disasters of its own making over the Drogheda Independent House Agreement and the Israel boycott. The first 24 hour strike at a national newspaper in 18 years failed to increase a below-inflation pay offer. And membership, while now nudging 40,000 for the first time in recent history, remains lower than anticipated, adding to the financial problems.


The NUJ DGS election

Who is standing ?

Philip Hunt (website)
Michelle Stanistreet (website)
John Toner (website)
Chris Youett

Who can vote ?

All full NUJ members who are no more than three months in arrears of subscriptions on 15 May 2008 are entitled to vote.

How do I vote ?

Ballot papers will be sent out to all members on 27th May. Voting is by single transferrable vote – give the candidate you support most a “1”, then a “2” for your second preference, and continue until you have no preference for any remaining candidates.

Voting forms must be returned by 4th July

This should be a time when members look closely to those who seek to lead them. But if the last election is any guide, around 1,850 of the union’s 2,300 photographers will barely glance at their postal ballot paper as they transfer it from the doormat to the bin.

And those figures assume photographers are no worse than other parts of the union at voting: if the nay-sayers are correct, the real level of apathy among photographers is much, much higher.

Hope over experience

It may be a triumph of hope over experience, but I’m slightly optimistic that things will be a little better in this year’s elections. The main reason is that one of the candidates is John Toner – a vastly experienced activist, the current Freelance Organiser, and the main point of contact for most freelances in the union – on the ballot paper. There hasn’t been a candidate more in touch with photographers since the well-respected Northern Ireland photographer Kevin Cooper ran for the post of General Secretary in 2001.

In every EPUK story I’ve covered involving union photographers, John has been there working quietly away in the background.

When environmental photographer Adrian Arbib was menaced by four balaclava’d heavies and forced to stop photographing the dumping of toxic waste at an Oxfordshire beauty spot, it was John who handled the court challenge which allowed Adrian to continue working at the site.

When Nottinghamshire photographer Alan Lodge was arrested while photographing armed police officers, it was John who attended the court hearings, and who believed strongly in Lodge’s innocence even after a surprise verdict of guilty.

And during the kidnapping of photographer Kash Gabrielle Torsello in Afghanistan, it was John who worked tirelessly behind the scenes to secure his release – knowing which strings to pull and having the experience to ensure that overt political moves came from Kash’s home country of Italy, rather than the UK.

Passionately, clearly, plainly

At last year’s NUJ Photographers Conference, I sat with some trepidation as John announced he would be giving his closing talk on union structure – a subject normally as interesting as a Finnish phone book.

But in front of 200 delegates, John set out the ways of how photographers could work with the union to better represent them and their needs, speaking passionately, clearly and plainly.

As one of the speakers that afternoon, I was sat at the front of the theatre and watched the other delegates – all of whom were working editorial photographers – as John held their attention. It’s been well over a decade since I joined the union but I have never heard – before or since – a more convincing case for grassroots activism.

It was that speech which encouraged me to stand when a Scottish vacancy arose on the Freelance Industrial Council. And it’s no coincidence that under John’s term at the Freelance Office, photographers became the fastest growing sector of the union’s membership when membership as a whole was falling. He’s earned a great deal of respect from one of the most difficult sectors of the union to please, and for good reason.

Optimism and pragmatism

By contrast, John’s main rival for the post of Deputy General Secretary is former president Michelle Stanistreet, who like any union president, has enjoyed a high profile in union publications over the past year.

But when I first heard her speak at my local branch meeting in Edinburgh, I was left largely underwhelmed: although I did learn from her that EPUK was ‘an anti-union website’ – a description that came not just as a surprise to me, but also to the seven NUJ members on EPUK’s board of moderators, including one national newspaper FoC, and the 400-odd other NUJ members on the main EPUK discussion list.

I put this down as a one-off, until I got a call from a member of the NUJ branch where she had spoken the following night. “I knew the union was facing difficulties, but I expected to be told how the union would handle them. I ended up less optimistic after she spoke than before.”

Which sums up the problem in a nutshell. The union has set itself the task of recruiting to solve its financial problems. But the next generation of members will need to be attracted by optimism and pragmatism.

Heavyweight responsibilities

Few union posts are glamorous, and the role of Deputy General Secretary hardly bucks the trend: most union members would be hard pressed to even name the outgoing incumbent. But that is not to say that the role does not bring some heavyweight responsibilities.

For example, union photographers don’t need reminding of last year’s furore over the Drogheda Independent house agreement in which the union railroaded through a decision supported by only 1.4% of photographers -but what shouldn’t be forgotten is that many of the key events of last year’s controversy happened entirely on the deputy general secretary’s watch.

The decision to have the Drogheda Independent agreement approved by just five of the 34-strong NEC; the breaking of the long-standing rule which allowed any full-time official to attend any union meeting (by then president Michelle Stanistreet); the closing of not one but two official discussion forums for members after the slightest hint of dissent was suspected: these all happened while the General Secretary’s deputy was in control.

Indeed, it was only upon the return of Jeremy Dear – never hitherto known for his technical skills in computer server administration – that the Stand Up for Journalism forum miraculously recovered from the sudden ‘hardware fault’ which had strangely crippled it for weeks after someone happened to mention the dreaded “D” word.

Opportunities to be gained

Whatever your opinion of the controversial Drogheda Independent house agreement, it’s undeniable that with more photographer-savvy official in charge the incident would never have played out so long or so destructively.

Whoever will eventually fill the number two seat at Headland House will face an onerous task. In the past two years alone, the union has made combined losses into the six figures, even without the pensions shortfall. But there are also opportunities to be gained from an inspired and well-led membership.

If union photographers treat the election with apathy and fail to make their voice heard, I cannot help feel that we’ll continue being the mangy mutt that no-one wants to stroke.

But a strong vote for John Toner will be seen as a vote for a union that supports photographers and understands their needs. Now more than ever, we need to remind the union as a whole that we are a small but well-organised sector facing unique problems, which demand and deserve to be addressed.

Want to contact the EPUK Website editor? editor@epuk.org

Comments

To have someone at the top end of the NUJ who understands both Freelances and Photographers is an opportunity that simply cannot be missed. To settle for anything less would seem foolhardy.

We don’t get a chance to choose our own officials very often. We must not waste this welcome opportunity to get some proper, reliable, proven experience into the Union management structure.

I have no hesitation is supporting someone of Johns proven track record and undoubted integrity.

Pete Jenkins

Comment 1: Pete Jenkins, 26 May 2008, 09:50 PM

I’m a freelance writer and I’m backing John Toner. We freelances, whether writers or photographers, need a voice as high up the union tree as possible. John understands the issues that affect us. He’s the right person, at he right time, for the job.
Stewart McIntosh

Comment 2: Stewart McIntosh, 27 May 2008, 11:48 AM

Dear Brothers & Sisters,

It is a little arrogant to say that the election of t he new NUJ DGS is a two-horse race between the London candidates. Even the big London branches have had a touch more diplomacy. By ignoring my candidature, you are airbrushing the only candidate who has negotiated a big regrading deal for photographers, has consistently recruited photographers for the NUJ – and will be happy to work with them if elected. I am asking all my supporters to vote YOUETT 1 and STANISTREET 2

Comment 3: Chris Youett, 19 June 2008, 03:29 PM

@ Chris Youett.

Undiplomatic it may be, but it’s certainly accurate. Unlike the other three candidates, you’ve run for the top two posts in the NUJ at every available opportunity, and have never come even close to winning. When you last ran in 2003, a little over 1% of the NUJ's membership voted for you. The time before that, you were actually disqualified from standing due to a small matter of unpaid subscriptions.

Leaving aside your other somewhat surprising claims, you’ve not been ignored – look at the sidebar. If you’d have had a website, we’d have linked to that there. But in the interests of balance, I’m more than happy to add links to your election leaflet which you kindly sent to my office – and which can be seen here and here.

Comment 4: Nick McGowan-Lowe, 29 June 2008, 02:13 PM

the best piece of advice i can offer photographers re the nuj is to leave and join the baj. This union is actually prepared to fight for the rights of photographers

Comment 5: martin pope, 3 February 2009, 12:17 PM

Comment on this article

(Your email will not appear on your comment, but we cannot accept your comment without one. We won't give your email address to anyone else)
(You don't need to enter your website address, but if you do, your post will link to it)
 

EPUK reserves the right to edit or delete posts which the moderators feel are irrelevant, offensive, libelous, untrue or just plain nutty; and in extreme cases, to ban those who make them.


EPUK is discussing:

Copyright infringements and how to manage them DACS Payback'Crafted in Britain' by Rob Scott Photographing in public places - where/when/is it allowed?

What is EPUK?

EPUK is an email group for professional editorial photographers who want to talk business. We don’t do techie stuff or in-crowd gossip. We don’t talk cameras or computers. What we talk about are the nuts and bolts of being in business - like copyright, licensing, fees and insurance.

Donate to EPUK

EPUK is run on a not-for-profit basis, funded solely by advertising, donations and hosting other lists. You can make a donation to EPUK through Paypal here:

Donate Now with PayPal

Site content is © original authors. To reproduce any content on this website, contact editor@epuk.org who will put you in touch with the copyright holder. You can read our privacy policy. Any advice given on this site is not intended to replace professional advice, and EPUK and its authors accept no liability for loss or damage arising from any errors or omissions. EPUK is not responsible for third party content, such as epuk.org adverts, other websites linked to from epuk.org, or comments added to articles by visitors.